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Cleaver (The Sopranos)
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Cleaver (The Sopranos) : ウィキペディア英語版
Cleaver (The Sopranos)

''Cleaver'' is a metafictional film within a TV-series that serves as an important plot element toward the end of the HBO television drama series ''The Sopranos''. Although very little film material is actually shown in the series, its planning and development are discussed at large throughout multiple seasons of the show. The extent to which Sopranos character Christopher Moltisanti mixes confidential and personal information about the Soprano mob family into the story elements of Cleaver is the focal point throughout its development. After the project eventually materializes, Cleaver can be categorized as a direct-to-DVD mafia-slasher film — described alternately as "''Saw'' meets ''the Godfather II''", "''the Ring'' meets ''The Godfather''", and "a story about a young man who goes to pieces and then manages to pull himself together again"〔Lupertazzi's description of the movie at the premiere in "Stage 5"〕 —. Several characters are credited for their involvement in the project. The screenplay was written by J. T. Dolan based on a story by Christopher Moltisanti, directed by Morgan Yam and produced by Carmine Lupertazzi, Jr. and Moltisanti. The film starred Jonathan LaPaglia as Michael "the Cleaver" and Daniel Baldwin as mob boss Salvatore ("Sally Boy"). Also starring as Sally-boy's key advisors are George Pogatsia as Frankie and Lenny Ligotti as Nicky. Moltisanti and Lupertazzi initially attempted to recruit Ben Kingsley to fill the role of the mafia don in "Luxury Lounge (6x07)," but Kingsley turned down the part.
==Plot==
''Cleaver''—originally titled ''Pork Store Killer''—stars protagonist Michael (a nod to actor Michael Imperioli), nicknamed "the Butcher". When Christopher proposes the plot to writer J.T. Dolan, he says the film is about a "young wiseguy, assassin, gets betrayed by his people. They whack him, leave his body parts in dumpsters all around the city. Long story short, he is put back together, by science...or maybe it's supernatural. And he gets payback on everyone who fucked him over, including the cunt he was engaged to. She was getting porked by his boss the night the hero was killed."
Several episodes in the film are drawn from Moltisanti's own life experiences as a made man in the Soprano Crime Family, including a misinterpreted and overblown rumor concerning a potential affair between Family head Anthony Soprano and Christopher's then-fiance Adriana La Cerva. The film closes on a tight-shot of a crucifix and a cornicello, juxtaposing "the sacred and the profane" (or, as Lupertazzi malaprops, "the sacred and the propane.")

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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